Monday, December 27, 2010

Georgy Sviridov

Sviridov
In 1935 Sviridov's composed a cycle of lyrical romances based on the poetry of Alexander Pushkin which brought him first critical acclaim. During his studies in Leningrad Conservatory, 1936–1941, Sviridov experimented with different genres and different types of musical composition. He completed Piano Concerto No. 1 (1936–1939), Symphony No. 1 and the Chamber Symphony for Strings (1940). Later Sviridov would turn to the rich Russian musical heritage, including the folk songs, for inspiration.
Among Sviridov's most popular orchestral pieces are the Romance and the Waltz from his The Blizzard, musical illustrations after Pushkin (1975), that were originally written for the eponymous 1964 film based on the short story from Pushkin's The Tales of the Late Ivan Petrovich Belkin. A short segment from his score for the 1967 film Time, Forward!Время, вперёд!) was selected as the opening theme for the main evening TV news program Vremya (Время, 'time') and became the staple of Soviet life for several generations. The music he scored in 1974 to Alexander Pushkin's short story "Metel" (specifically Track 9, "The Finale") is undoubtedly the inspiration behind the main theme to the very successful Metal Gear Solid games. (
Poetry always occupied an important place in Sviridov's artistic universe. He wrote songs and romances to the lyrics of Mikhail Lermontov (1938, 1957), Alexander Blok (1941), William Shakespeare (1944–1960), Robert Burns (in Russian translation, 1955). Despite the popularity of Sviridov's instrumental works, both the composer himself and the music critics regarded vocal and choral music to be his main strengths. Pathetic Oratorio (1959) after Vladimir Mayakovsky has been called a masterful musical rendering of one of the most popular Russian revolution poet. Sviridov's prolific vocal chamber and vocal symphonic output includes Oratorio To the memory of Sergei Yesenin (1956), Little Cantata Wooden Russia (1964) after Yesenin, Cantata Songs of KurskSpring Cantata (1972) after Nikolai Nekrasov, songs, romances, and cantatas after Fyodor Tyutchev, Sergei Yesenin, Alexander Blok, Boris Pasternak, Alexander Prokofiev, Robert Rozhdestvensky. He also wrote one opera, Twinkling Lights (1951). (1964),
While Sviridov's music remains little known in the West, his works received high praise in his homeland for their memorable lyrical melodies, national flavor and mainly for great expression of Russia and Russian soul in his music.

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